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However, Paul had found an outstanding “sound-a-like” recording by a singer named Kenny James.
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The associate producer, Paul Rabwin, handled this and reported Mathis would not let us use his recording. Is it true Mathis refused to allow his version of the song to be used after he read the script?Ī. Maybe as that is the music from my teenage years and that is the most horrifying stage of anyone’s life. When I write horror, I listen to the Rhino CD box set “Have a Nice Day: Super Hits of the ’70s.” I just find it all disturbing. It is the orchestration and that odd lonely whistle that disturbs me. My mom had been a big Johnny Mathis fan and I always found the tone of “Wonderful, Wonderful” creepy and unsettling and had been looking for a situation to use it in a show. Morgan: I personally find sweet melodic pop songs creepy. What can you tell me about the Johnny Mathis song “Wonderful Wonderful”? Why was it such a key element in the episode?Ī. But if a human does it, you get banned from TV. Everybody seems to think that’s fine and they love birds.
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When the bird is sick, the mother kicks it out of the nest. Morgan: So we had this family of human beings act as nature does. There was also the buried baby in the opening scene. Wong: I think it had to do with the incest. As it turns out it, it was one they never repeated until several years later.Ī. Wong: We were obligated to do four episodes that season, and we thought this was the most down-the-middle, straightforward “X-Files” of all of them. Did you have any sense that what you were doing might be controversial?Ī. So we had been working out the story where there was another brother under the bed, and Jim Wong one day goes: “It’s the mother! The mother’s under the bed!” And I felt Freud and Joseph Campbell do back flips, and that was that. It just seemed like such a horrifying situation, and I’d been trying to use it. They said, “Hey, we got something to show you.” And they take him up to a room with a cot, and under the cot was a man on a platform, and he was wheeled out and they stood him up and they clapped and danced and the guy did tricks. Before he was famous he was traveling in musical theater, and he rented a room in a tenement with a family that took a liking to him. The other major thing was, in college I had read Charlie Chaplin’s biography. Morgan: My wife, Kristen, had shown me “ Brother’s Keeper”, which was about this family close to where my brother and I grew up. These are edited excerpts from that conversation.Ī. Wong recently looked back on “Home” in a joint phone call. He added, “Some places bought it.” (For the record, it’s not.) “We didn’t think we were pushing the envelope of taste in the way people seem to ascribe to us - ‘Oh, there’s incest, there’s killing a baby.’ ” “We were trying to make a terrifying show,” Mr. “One person’s safety and comfort is another’s nightmare.” “The episode was called ‘Home’ because Jim and I were returning ‘home’ to ‘The X-Files’ to do some more episodes, and that caused us to think about the notion of ‘Home,’ ” Mr.
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They were aiming only to make a straightforward “Monster of the Week” episode, one that also explored fears about change and nodded at the fact that the writers were returning to the series after working on a different show the previous season. Glen Morgan and James Wong, who wrote “Home,” among many other memorable “X-Files” installments, weren’t trying to be provocative, they said recently. (The brothers brutally club the sheriff and his wife to death to “ Wonderful, Wonderful.”) Aside from the scares, “Home” functions as a sort of dark mirror onto vintage Americana, imagining a sinister underbelly to insular small towns, motherhood and family, classic Cadillacs and even Johnny Mathis.